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When using this latter setting in Dynamic AF mode, the camera can identify and lock onto a moving subject and pass is from one AF zone to another! The F5 can do this too, but the F100 illuminates your selected AF zone with a flash of bright red, which is far easier to see.Īlso commendable are the F100’s excellent full finder readouts, which are still among the best to be found in any SLR, and the fact that you have a choice of true narrow-angle (4%-area) spot metering and “fat spot,” Nikon’s classic center-weighted metering concentrated in a central 12mm circle in the finder. There’s also an AF-area mode selector that give you the choice of selecting a single AF zone or a primary AF area. This four-way thumb control has a conveniently placed hand lock to prevent your from accidentally selecting the wrong zone. One of the coolest and most useful features of the F100 is the big AF-zone selector on the back. The system is the same one used in the F5, but is actually slightly better executed on the F100! Changing metering modes is equally fast and simple?ust move your index finger back a quarter of an inch, and hold in the mode or compensation button while turning the main command dial. With your index finger in shooting position, you can change settings by turning the main command dial with your thumb, and the sub-command dial with your middle finger. With its comfortably contoured, t handgrip, excellent heft and balance, and perfectly positioned angled shutter release, there are few SLRs that can match its ergonomics and none that surpass it.
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It literally fits your hands like a glove. Perhaps the nicest thing about the F100 is its handling. While the F100 can’t match the F5s 8fps motor drive, it delivers 4.5 fps with alkaline AAs and 5fps with the optional High Speed Battery Pack?ast enough for most people, including sports shooters. The F100’s controls are all out in the open, and the AF-on and AE/AF lock buttons and focus-area selector were improved for easier operation.
#Nikon f6 vs f100 iso#
However, the F100, which is powered by four AA cells in the hefty metal-based handgrip is 1.5 inches shorter than the massive F5, and its body weighs nearly a pound less.Īlso missing on the F100 are the F5’s annoying locks on the main on-off switch, mid-roll rewind control, and ISO dial, and custom functions hidden under a little door on the back. The body contours are quite similar and the major controls are in the same places. If you place the F100 side-by-side with a Nikon F5, the resemblance is striking. Let’s take a closer look at the F100 to see what makes it so special. In my judgment, the F100 not only has above average upside collector potential (translation: it will hold its value far better than most 35mm SLRs), but it’s also a terrific user camera capable of outstanding results. Since its original street price was $1,400, getting a camera like this in fine condition for 500 bucks is one sweet deal.
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in early ’99, this fine machine’s specs are still cutting-edge, with five selectable AF zones (three with cross-field sensors), dynamic autofocus, and a 10-segment 3D Matrix metering system that also offers narrow-angle spot and center-weighted patterns, and shutter speeds from 30-1/8000 sec. It’s one of the most ergonomic, elegant, and durable SLRs ever created, and it’s built on a classy, mostly magnesium chassis that’s remarkably light and incredibly strong.
#Nikon f6 vs f100 professional#
Indeed, the Nikon F100, known in professional circles as “F5 Lite,” has all these features in a smaller, lighter, simpler package. If you’ve ever wanted to own a pro-caliber 35mm Nikon SLR with the ultra-solid construction, unsurpassed features, stellar performance, and sheer presence of, say, a Nikon F5 or F6 but were put off by the hefty price, here’s your chance to do so for a fraction of the cost: The Nikon F100.